So we have a series of snapshots of aspects of life in every chapter. (p.322)Īn impression of those slow, deep changes occurring from the reign of Edward II to that of Richard III is built up in Miri Rubin's book through a succession of short subsections each concentrating on a different topic, politics, the countryside, towns, the law, books, the church at a particular point in time. It thus often goes unnoticed by those who live it and make it happen. Most change, deep change, occurs more slowly, experimentally, cautiously and through deliberation. While appreciating the verve of the 'new' politics, the reader will stop and ask whether it is not above all the fantasy of shapers of opinions - servants of power itself - which historians have been eager to endorse. But wise readers should be wary of the 'new'.'New' is so often an adjective spun by professional illusionists, the makers of political slogans. Historians have claimed that a 'new monarchy arose with the coming of Henry VII, that a new age was inaugurated, vigorous in administration, ambitious in its European and global performance.
The Hollow Crown brilliantly brings to life for the reader a world we have long lost - a strange, Catholic, rural country of monks, peasants, knights and merchants, almost perpetually at war - but continues to define so much of England's national myth. For the first time in a generation, a historian has had the vision and confidence to write a spell-binding account of the era immortalised by Shakespeare's history plays.
The extraordinary artistic achievements - the great churches, castles and tombs that still dominate the landscape, the birth of the English language in The Canterbury Tales. The extraordinary events - the Black Death that destroyed a third of the population, the Peasants' Revolt, the Wars of the Roses, the Battle of Agincourt. The extraordinary kings - Edward III and Henry V, the great warriors, Richard II and Henry VI, tragic inadequates killed by their failure to use their power, and Richard III, the demon king. There is no more haunting, compelling period in Britain's history than the later middle ages.
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